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pages home about next reading group reading group reports members moving towards science - 12 sept 2012 saturday, 14 february 2015 library day at the literary and philosophical society, newcastle upon tyne (18 february 2015) library day at the lit and phil wednesday february 18 2015 this symposium may be of interest to those of you working on eighteenth- and nineteenth- century topics, with an interest in the history of reading/sociable societies more generally, or anyone who would like to get a closer look at the holdings of the l&p. the programme is attached. the symposium is free to attend but if attendees wish to attend lunch they need to pre-register with the l&p by the evening of monday february 16th (so the caterer has final numbers). if they wish only to attend papers/coffee they have until tuesday evening. the email address to use to register is: [email protected] programme: 12-1pm lunch (in the loftus room) session 1 (lecture room) 1pm opening remarks and welcome: paul gailunas (l&p) and jon mee (york) 1.05-1.45pm david stewart (northumbria) ‘ “conflicting and yet commingling temperaments”: byronic adventures in the lit & phil' chair: paul gailiunas (l&p) session 2 (lecture room) 1.45-2.30pm paul gailiunas (l&p) ‘the rotheram family’ chris calver (l&p) ‘the thomlinson library’ richard sharp (l&p) ‘robert spence watson’ chair: jon mee (york) 2.30-3pm coffee/tea break session 3 3pm-3.45pm hannah humes (northumbria) ‘a protestant pioneer: the reverend robert morrison, china and the lit and phil’ patrick low (sunderland) ‘capital punishment, phrenology and the lit and phil: the curious case of the “bumpologist” mayor, john fife’ chair: david stewart 3.45-4.30pm archival handling session session 4: keynote (lecture room) 4.30-5pm professor jon mee (york) ‘ john clennell, missionary of improvement: newcastle, perth, and hackney’ chair: paul gailiunas 5pm closing remarks and wine reception normal 0 false false false en-gb x-none x-none posted by nenc at 15:22 165 comments: email this blogthis! share to twitter share to facebook share to pinterest labels: library day , lit and phil , postgraduate , reading societies , symposium tuesday, 13 may 2014 reading group report: 'melodramatic monster villains in early-nineteenth-century theatre' 7th may 2014 sarah winter, northumbria university wednesday 7 th may saw nenc members meet for our penultimate session at durham university, with this session delving back into the 1820s to explore two stage adaptations of mary shelley’s 1818 frankenstein . northumbria’s sarah winter introduced us to both richard brinsley peake’s 1823 play presumption; or, the fate of frankenstein and henry milner’s 1826 the man and the monster; or the fate of frankenstein . brinsley peake’s version, sarah suggested, was received positively by audiences attracted by the play’s melodrama and use of groundbreaking special effects. shelley, however, was not overly-impressed, and many critics dismissed the play as mere sensationalism. both brinsley peake’s and milner’s adaptations, however, disseminated a deeper political message amongst the masses, tapping into the turbulent political climate of the period. discussion after sarah’s paper centred on the significance of the colour of the ‘creature’ (which was, somewhat surprisingly, blue, as opposed to the more conventional twentieth century image of the creature as green), the use of gothic props in the plays and the issues of presenting the creature as symbolic of the working masses and political debate to a largely working class audience. details are to be announced shortly of the upcoming final session of this term. we would like to congratulate nenc member beatrice turner, who recently had a successful viva - and also to wish good luck to member kate katigbak on her upcoming viva! contact: [email protected] twitter: @northeastc19  posted by nenc at 11:08 336 comments: email this blogthis! share to twitter share to facebook share to pinterest labels: frankenstein , gothic , henry milner , mary shelley , richard brinsley peake , sarah winter , stage adaptation monday, 28 april 2014 nenc may meeting the next meeting of nenc will be held on wednesday 7th may , at 5pm in the seminar room of the ias on palace green (institute of advanced studies - map can be found here https://www.dur.ac.uk/ias/contact/ ) this month we look forward to welcoming northumbria university's sarah winter, who will be giving the intriguingly titled paper: 'melodramatic monster villains in early-nineteenth-century theatre' (abstract below). this will be followed by discussion, and drinks and refreshments at the pub afterwards. all are welcome and we hope to see many of you there for what promises to be a lively and engaging talk! -- 'melodramatic monster villains in early-nineteenth-century theatre' sarah winter, northumbria university ‘it lives! i saw the dull yellow eye of the creature open, it breathed hard, and a convulsive motion agitated its limbs’. richard brinsley peake, presumption; or, the fate of frankenstein (1823) the famous phrase ‘it lives!’, probably more widely-known in the present day as ‘it’s alive!’, carries instant connotations of victor frankenstein’s experimental overreaching in mary shelley’s gothic novel, frankenstein; or, the modern prometheus (1818). the exclamation is mostly associated with black-and-white film adaptations; yet it emerged much earlier than the twentieth century, as the dramatic saying originated on the early-nineteenth-century stage, when the story was adapted for theatre a few years after the novel’s publication. it was staged as a melodrama, and the novel’s ‘creation scene’ in particular brought spectacle and sensation to the production, aided by developing advances in stage technologies. the first stage adaptation in britain was penned by richard brinsley peake in 1823, titled presumption; or, the fate of frankenstein . the overall positive public reception towards the production maintained perennial performances, yet reviewers’ derogatory criticism placed a label upon the play as sensationalist. however, i argue that peake’s version, along with another rival production which competed to stage the frankenstein narrative, exhibit socio-cultural reflections on the turbulent political context in which they were performed, thereby revealing an important relationship between theatre and political debate. www.northeast19thcentury.org @northeastc19 [email protected] posted by nenc at 14:54 547 comments: email this blogthis! share to twitter share to facebook share to pinterest tuesday, 15 april 2014 call for papers: making, breaking and transgressing boundaries: europe in romantic writing, 1775-1830 making, breaking and transgressing boundaries: europe in romantic writing, 1775-1830 postgraduate and early career researchers interdisciplinary conference newcastle university – 15 july 2014 from william blake to germaine de staël, jean-jacques rousseau to thomas robert malthus, the romantic period is fraught with attempts to define and redefine concepts of european boundaries. this one-day conference invites papers which consider the making, breaking and transgression of boundaries in response to revolution and national struggle across europe between 1775 and 1830. as the borders of political territories move, expand and collapse, how is this then translated into political, philosophical and literary discourse? what does it mean for a writer in this period to cross boundaries as an exile and travel in a way distinct from the grand tour? how are the boundaries of europe represented as national borders or poetical spaces? topics may discuss but are not limited to: topographical and political boundary formation/breaking in radical literature national identities; marginalisation romantic exile and exilic behaviour; movement across borders circulation of texts; censorship and suppression of movement responses to

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